It appears that most issues of The Junto started their way down the mailing list at the end of the month prior to the date on the cover; so, the July issue most likely started circulating at the end of June. As we saw last time, the June issue was “lost,” so the July edition is the first of new editor Lenore Preece’s issues that survive. On the cover is a poem by former editor Booth Mooney:
A moth came flying.
It approached a lamp
And beat against it
And perished. . . .
And a fool said,
Verily, serenity is greater than force.
But many moths came
And beat against the lamp.
They labored mightily
And called to other moths.
The mass of moths grew larger—
All beating against the lamp. . . .
Many were consumed in the flame,
But at last the lamp was extinguished.
The remaining moths
Held counsel. . . .
They set up a new lamp
That shed a most magnificent light.
This is followed by editorial comments from Lenore Preece. These tell the origin and purpose of the travelogue and are presented at the head of this post. Up next is “The Monotony of Being Good,” an article by John Doughty. This is a meandering rant that points out the difference between what the Christian faith advises people do and their actual behavior. It ends with this: “That some thus far inconceivable fashion of man will arrive who will try being good once in his life, at least; and thereby for the first time in the history of the race, learn whether, after all, there is an actual monotony in being good. As matters now stand, we can only speculate.”
This is followed by a couple of short paragraph items, both untitled, and both probably supplied by Lenore Preece as space fillers. The first is a little rant that claims that the mixing of white and black blood, “according to scientists, seems to bring out the worse qualities of both.” The second deals with France’s war debt, sort of.
Up next is “Hate’s Dawn,” verse by REH, one of the few to reference the World War. After this is “Women,” a tirade by Harold Preece containing this, “Naturally weak, Woman relies upon her only commodity, sexual favors, for her existence”; this, “Strictly speaking, there is no such thing as an intellectual woman”; and this, “The Orientals have the proper idea; they keep their women in deserved subjection,” just to mention a few. One wonders if this article is similar to the “tirade against women” that Preece sent to Howard at Clyde Smith’s instigation back in December.
“Sic Transit,” verse by Booth’s brother, Orus Mooney, tells the story of a man who played three women, “thinking to choose in time,” but at the end his “friends and opportunities passed away” and he is alone. This is followed by “An Open Letter to Texas’ Governor,” by Truett Vinson, the text for this is in here.
Up next is “The King and the Mallet,” verse by REH. Beneath the poem, fellow Juntite Norbert Sydow has written this: “The gentleman must not make his knowledge of Poe’s poems so obvious as to mutilate a line from ‘The Greenest of Our Valleys’ poem.” A criticism that I haven’t looked into.
This is followed by Booth Mooney’s “Spirit of God,” wherein an elderly man offers Mooney a ride after his car breaks down. This surprises Mooney as the man is known as a miser. Once in the man’s buggy, he pesters Mooney about his actions and implores him to go to church: “Quit your nonsense. Don’t kill your soul by goin’ to a show. Live right.” After enduring this, Mooney muses:
How easily is the down rubbed off the wings of our little butterfly illusions—patriotism, religion, democracy—the little illusions that breed maggots.
Following this are several poems. First is a series of four “Sonnets on the Recognition of the Vatican” by Lenore Preece. The second of these is subtitled “Mussolini” and has these lines: “[. . .] is’t for this / That all the centuries of effort spent / Have spawned a brute to ravish and to rent / The total sum of art’s hard-conquered bliss?”
The sonnets are followed by “Fragment” by Booth Mooney, which tries to channel Walt Whitman’s “Song of Myself” with lines like this: “This is America working and singing and sweating and swearing.” Then there’s “To Franz Schubert” by Harold Preece, a 15-line lyric praising Schubert as a “weaver of melodious webs.” And, finally, another by Mooney: “To an Evangelist,” wherein the speaker accuses the evangelist of robbing the poor.
“On the Death of a Great Juntite,” by Lenore Preece, is a heartfelt, if humorous, obituary for her cat, Thomas Paine. The issue concludes with Robert E. Howard’s “Singing in the Wind” and Orus Mooney’s “Faith,” which asks, “How, believing not in that which I can see, / Can I believe in a Divinity I know not of?”
At the end of the issue is the “Texas Mailing List,” which explains the rules of membership:
This is followed by the names and addresses of everyone who will receive the issue. Each name has an inch or two of space left open for comments on the current issue. Here are some selections:
Harold Preece: “On the whole, exceptional. Orus not up to his usual standard. Bob Howard’s ‘King and the Mallet’ best contribution of this issue.”
Truett Vinson: “An extraordinary issue. The ‘Sonnets on the Recognition of the Vatican’ are superb. They should be passed on to some good poetry magazine. Bob Howard is still fine—as usual. Harold’s article is a fine collection of words! Good luck to The Junto’s new editor!”
Booth Mooney: “Harold’s article good, but I think his argument flawed. Howard’s stuff good, of course. [. . .] For God’s sake, don’t publish ‘Open Letters.’ I agree with T. V., however. [. . .]”
Maxine Ervin: “The best issue we have had in a long time, and it still has plenty of room for improvement.”
And a note from Truett Vinson:
Please add the name of Edna Mae Coffin, No. Chelmsford, Mass., to your National Mailing list. She is an artist of some ability and will be interested in The Junto.